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Black Violin in concert

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Brooklyn Center for the Performing Arts at Brooklyn College continues its 60th Anniversary Season on Saturday, Nov. 22, 2014 at 2:00 p.m. with Black Violin. Three-time winners of Amateur Night at the Apollo, this classically trained violin duo inspires young people to get fired up about classical music with their unique fusion of classical, hip-hop, jazz, blues, and R&B. Recommended for ages eight and up.

The South Florida twosome, Wilner “Wil B” Baptiste and Kevin “Kev Marcus” Sylvester, who go by the name Black Violin are a welcome revelation for their ability to meld high-brow and pop culture, “Brandenburg” and “break-down,” into a single genre-busting act. The band’s most recent album, “Classically Trained,” is the follow-up to their 2007 self-titled debut on their own Di-Versatile Music Group label, which is as good an introduction to their groundbreaking blend of classical, hip-hop, rock, R&B, and even bluegrass music. Live, they are often accompanied by their crack band, featuring ace turntable whiz DJTK (Dwayne Dayal), drummer Beat-down (Jermaine McQueen) and cellist Joe Cello (Joseph Valbrun).

Wil B and Kev Marcus are classically trained viola and violin players who first met playing in the high school orchestra in Fort Lauderdale, Fl. After graduating college, they joined up as hip-hop studio rats in the South Florida, working with several different acts before returning to their roots by fusing the two genres in a ground-breaking collaboration that has seen them play their music for everybody from the troops in Iraq to both the official President’s Inaugural Ball and the Kids Inaugural in Washington, DC.

The pair also head-lined 40 shows in two stints at the New Victory Theater on Broadway, including 16 sold-out shows over two weeks last November. Along the way, they have wowed audiences at the legendary Harlem Apollo Theatre, accompanied Alicia Keys’ performance of “Karma” at the 2004 Billboard Awards, and appeared with Gym Class Heroes and Fall Out Boy’s Patrick Stump playing the hit song, “Stereo Hearts,” for VH1’s Unplugged.

Since starting Black Violin a decade ago-named after an album, by pre-eminent African-American swing era jazz violinist Stuff Smith-Wil B and Kev have performed an average of 200 shows a year in 49 states and 36 countries as far away as Dubai, Prague and South Africa, while appearing at official NFL celebrations for three Super Bowls and last year’s U.S. Open in Forest Hills with Jordin Sparks. The pair has played with the likes of Linkin Park member Mike Shinoda’s Fort Minor, while opening for Fat Joe, Akon and the Wu-Tang Clan. Individually and together, Black Violin has collaborated with the likes of P. Diddy, Kanye West, 50 Cent, Tom Petty, Aerosmith, Aretha Franklin and The Eagles. Kev supplied strings for a track on Lupe Fiasco’s Grammy-nominated Food & Liquor 2 album, and appeared on the Meek Mill cut “Maybach Curtains” with John Legend, Rick Ross and Nas. Wil and Kev also scored an episode of CSI: New York, adapting the finale of Puccini’s Madame Butterfly for an on-screen murder.

With Wil B’s smooth vocals, Black Violin has begun to explore R&B and soul on songs like the dreamy “End of the World” and the plaintive ballad, “Interlude (Tiffany).” The result is inspiring to all ages, though Black Violin remains particularly committed to turning young fans on to their own potential through a tireless schedule of appearances at schools, where they constantly stress the importance of arts education. Their “triumph” is the outcome of a decade-long effort that has seen them bridge the gap between the worlds of classical and popular music.

“We’re passionate about it because we realize how fortunate we were to grow up having access to that,” explains Wil B. “It’s something in which we take a great deal of pride. We encourage kids to think creatively, to take what they love doing and try to come up with some-thing no one has ever done before. And that dosen’t just apply to playing violin or even music, but whatever it is you decide to do. Expand your mind. Once we get their attention with the music, that’s the message we want to deliver.”

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